New York Times best selling author of the beloved Outlander series spoke at Vromans Independent Booksellers in Pasadena last night, one of many stops on the tour promoting her new graphic novel, The Exile. The second floor loft overflowed with admirers of the woman and her exquisite storytelling abilities. Sold in twenty-three countries and translated into nineteen languages, Diana’s books have bewitched a generation of readers.

A Bachelor of Science in Zoology from Northern Arizona University, a Master of Science in Marine Biology from the University of California, San Diego, Scripps Institution of Oceanography, and a Ph.D. in Ecology from Northern Arizona University may have contributed to Diana’s incredible mastery of the language and research abilities, but it is her heart that shines through the sweeping tale that refuses classification. Outlander and its six successors contain elements of romantic fiction, historical fiction, and science fiction (in the form of time travel) and therefore are difficult to pigeon hole other than to say they are possibly the quintessential work of our time, stiching male and female readers together through the adventures and trials of eighteenth century Scotland and tweintieth century America. Woven into the fabric of the series is one of the great romances of all time. The plot is propelled by time travel when its heroine Claire journeys from 1945 to the era of the Scot Jacobean rebellion where she meets and marries a young Scot rebel, Jamie Fraser.

Ms. Gabaldon’s new foray into graphic novels echoes her work for the Disney corporation years ago scripting Scrooge McDuck comic books. The storyline of The Exile parallels that of Outlander, but is told through the eyes of the hero’s protector Murtagh. While Diana admits to basing the antagonist ‘Black Jack’ Randall on herself, the reader of the series will never doubt that integrity and honor are paramount over the centuries so vividly displayed.

“I begin with a kernel”, Diana says, of how she starts a writing day. Whether it is a sight, sound or compelling line, Ms Gabaldon builds a scene around that ‘kernel’ and polishes it until it shines like a diamond. The scenes may well be out of chronology, but the pieces of the puzzle eventually make themselves apparent as Diana drops each into its final place.
“I research when I need to.” When the story requires fleshing out she ‘cheats’ by using real historical occurrence to guide the underlying plot. “You don’t have to be creative with history. It’s all right there.” Analogously, she refuses to hire research assistants, as “all you’ll get is beans and weenies.”
It’s like sending someone to the market for dinner. ‘Let’s have weenies and bean.’ What will they bring home??…Just that and no more. When I go shopping I might see a lovely bit of crisp lettuce and Chinese chicken salad- making ingredients. A dry Chardonay, maybe some delicious chocolate dessert. I come home with much more than beans and weenies.
When I research I am always surprised by things I find and can use to make the story the richer.
Diana says her best writing time is late at night when the house is quiet. That way no one “encounters me weeping” while I write. Any author who feels her work as organic to her very soul is an author that touches the same place in others. Anyone who has written from this place deep inside knows the connection to an indescribable power that has the potential to change worlds.

To Ms Gabaldon I say thank you. These two words pale next to the profound influence she has had in my writing and in the lives of so many authors and readers. Like a good steak every paragraph, every sentence is a gourmet experience not only painting a world as vivid as any reality, but one that creates a rich backdrop on which to feel the thousand emotions that tie us together as people across the centuries…our common humanity.